A DWELLER ON TWO PLANETS ~ PHYLOS THE THIBETAN / FREDERICK OLIVER, 1920 ATLANTIS
A Dweller On Two Planets or The Dividing of the Way ~ By Phylos the Tibetan, AKA Frederick Oliver, 1920 ~ Signed by B.J. Palmer, Founder of the School of Chiropractic and the Davenport Museum
Publisher: Poseid Publishing Company, Los Angeles (1920)
1920 edition of "A Dweller On Two Planets or The Dividing of the Way," by Phylos the Tibetan, AKA Frederick Oliver. The boards and binding are solid and tight with light shelf-wear. Davenport Museum stamp on the inside front board. The pages are crisp and clean save for a chip out of the bottom corner near the spine of the first page and signature of B.J. Palmer, founder of the School of Chiropractic and the Davenport Museum. The title page has a very small chip at the bottom corner near the spine, a small spot of damp stain on the outer fore-edge and a small Davenport Museum stamp. The dedication page has a very slight spot of damp stain on the bottom corner of the outer fore-edge. Please see below for more information on this fascinating Atlantean story / history.
Summary: A Dweller on Two Planets - Channeling of an Atlantean Spirit
A Dweller on Two Planets or The Dividing of the Way is a book written by Frederick S. Oliver, who was born in 1866. The book was finished in 1886 and in 1894 the manuscript was typewritten and copyrighted and again in 1899, owing to an addition. It was not published until 1905, by his mother Mary Elizabeth Manley-Oliver, six years after Oliver's death in 1899.
In its introduction, Oliver claims that the book had been channeled through him via automatic writing, visions and mental "dictations", by a spirit calling himself Phylos the Thibetan who revealed the story to him over a period of three years, beginning in 1883. Concerning itself with Atlantis, it portrays a first person account of Atlantean culture which had reached a high level of technological and scientific advancement. His personal history and that of a group of souls with whom Phylos closely interacted is portrayed in the context of the social, economic, political and religious structures that shaped Poseid society. Daily life for Poseidi citizens included such things as antigravity powered air craft and submarines, television, wireless telephony, arial water generators, air conditioners and high-speed rail. The book deals with deep esoteric subjects including karma and re-incarnation and describes Phylos' final incarnation in 19th century America where his Atlantean karma played itself out.
In that incarnation (as Walter Pierson, gold miner and occult student of the Theo-Christic Adepts) he travelled to Venus/Hysperia in a subtle body while his physical form remained at the temple inside Mt Shasta. Describing his experience with the Hesperian adepts, Phylos relates many wonders including artworks depicting 3D scenes that appeared alive. He saw a voice-operated typewriter and other occult and technical power. Some devices mentioned have become reality (such as the TV and the atomic telescope).
In a detailed personal history of Atlantis and 19th century North America, Phylos draws the threads of both lifetimes together in familiar and initiatic terms revealing equally their triumphs and failures and exposing the cause and effects of karma from one lifetime to another. His life story is written in personal testimony of the law: "whatsoever a man soweth, that shall he also reap" and as a warning to this technological age to not repeat the mistakes of the past that led to the cataclysmic destruction of "Poseid, queen of the waves".e
The book has been influential on ideas concerning Atlantis, Lemuria and Mount Shasta. In a 2002 introduction, John B. Hare says that it "is openly acknowledged as source material for many new age belief systems, including the "I AM" movement, the Lemurian Fellowship, and Elizabeth Claire Prophet." In the analysis of Walter Kafton-Minkel's history Subterranean Worlds, "A Dweller on Two Planets was not very good fiction, but it did establish all the main elements of the modem Mt. Shasta mythos."